Gankutsuou, my favourite anime series. I enjoyed it enough to read the 1250 page recent it’s based on (The Count of Monte Cristo) after finishing the series, and I’m far from an avid reader. In the demolish, not only did Gankutsuou become my favourite anime, it also helped me salvage my favourite book.
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I decided to open collecting the series after watching it. It wasn’t an easy task to execute with me living in the UK and Geneon being unimaginative in the water, but I’ll put you the details and simply say that I’m now the glad owner of the art box and all 6 volumes of this truly astonishing series.
Plot: 9.7/10
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Not having read the unusual prior to starting this, I had no notion what to put a question to. I knew about determined vague details, such as a young man becoming fascinated with the Count of Monte Cristo, but that’s all. But, as a result of having no expectations, I was blown away by the narrative of Edmond Dantes; The Count of Monte Cristo.
In a nutshell, Gankutsuou is a fairly simple revenge memoir that’s executed extremely well: a young man called Edmond Dantes loses his freedom, his cherish and almost his life because of the greed, jealousy and pride of three men. Then, after many years, he returns, posing as the Count of Monte Cristo - a rich ‘noble’ who appears out of nowhere and sends shockwaves through Paris with his riches - and puts into action his idea to bag the ultimate revenge on the men who destroyed his life. After spending many years suffering, he doesn’t simply want to demolish them: he wants to slay them, throwing them in the pits of despair.
In order to add mystery to Edmond’s character, the sage is not told from his perspective (unlike in the book) . Instead, the sage is told from the perspective of Albert, a young obedient and son of Fernand de Morcerf; a general and one of the three Edmond wants revenge against. This brings both poor and valid points - the valid being the added mystery and a different angle on the anecdote, the terrible being Albert having the IQ of a dog. I wanted to demolish him when he failed to work out that it was in fact Edmond pulling the strings gradual the unpleasant sequence of events unfolding around him for the 10th time.
The setting was quite a shock at first, with the fable taking area in the year 5053, where as the fresh takes status during the 1800’s. It was a further surprise to eye the account starts during the Rome fraction of the recent, the only incompatibility being that the writers replaced Rome with a city on the moon. I do kinda wish the fable had been told in the 1800’s instead since very few details are given about the futuristic universe and the setting becomes more of a distraction than anything.
If you ignore the fact that the legend isn’t told with the events occurring in chronological order (like in the unusual), one of two things that might upset purists is how the epic goes in a different direction than the original at around episode 18. With Edmond’s character being key to the epic, Edmond only caring about revenge in the anime was the reason unhurried the change of direction towards the kill. In the fresh Edmond was persuaded by Mercédès to alter his plans, yet in the anime Edmond turned a deaf ear to her and continued… This one seemingly minor change had a broad impact on how the anecdote progressed beyond that point. Thankfully, Gonzo handled the changes very well, making the finale piquant for people who have read the fresh since, if like me, those people would derive themselves fascinated by the novel angle on Edmond’s character.
All in all, the memoir was a extraordinary meander. An adaptation of a timeless classic with artistic differences, it was executed excellently, at times perfectly. You do have to wait for the ‘main event’ before you ogle objective how amazingly well told the tale is, the first half in particular being nearly all produce up, but I level-headed felt compelled to support watching even without any major twists/events occurring.
Characters: 9.7/10
I liked ravishing grand the entire cast…apart from the main character, Albert. Although I knew he had to be made rather listless for the sake of the place, his stupidity and inability to peer the definite became very annoying after awhile. You’d consider he’d be able to set aside two and two together when Edmond honest randomly kept appearing and Edmond himself had told Albert that there were no coincidences!
After reading the book, it became even more distinct how unimaginative Albert had been made in Gankutsuou in order for the anecdote to be told from his perspective. Although Albert was quite impulsive in the book, uninteresting was not one of the words that entered into my mind whilst reading… If anything he came across as a rather gleaming and likeable character. Gain me when I say that Albert was neither a crybaby nor an idiot in the fresh.
Franz, Albert’s childhood friend in Gankutsuou (they aren’t that conclude in the current), shares a finish relationship with Albert, the two being come enough inseparable. Unlike in the book, there are determined homosexual overtones, Franz obviously viewing Albert as more than a friend and Albert unable to stare it. Franz, like in the book, is a detached and very incandescent character, in many ways being the true opposite of Albert in the anime. Albert and Franz tumble out many times in the anime over Edmond after Franz tries to warn expressionless Albert on various occasions about Edmond not being all he seems.
Edmond, the Count of Monte Cristo himself, remains a mystery for most of the series. He acts kind, yet you can advise that underneath he’s hiding something; wearing a camouflage to fool those around him. His character differs considerably from the character you notice in the book because, where as Edmond views himself as a servant of God in the book, Edmond views himself as a demon of revenge in the anime adaptation. Gankutsuou’s Edmond is certainly an attractive acquire on a illustrious character, one that I’m positive would likely have created more discussion had more people read the new Gankutsuou is based on.
The one glaring omission from the anime cast is one of the most significant characters in the book: Abbé Faria. In the recent, Faria saved Edmond from killing himself after he had spent many years alone in the prison of Château d’If, giving him renewed hope and someone to explain with. Faria soon become a sort of mentor to Edmond, giving him the enormous amounts of knowledge he had inside his elderly mind, ending up changing Edmond from a droll boy to a well-behaved man. Faria also ended up leading Edmond to fortune by telling him about the cherish hidden on the island of Monte Cristo on his death bed.
In the anime, no explanation whatsoever was given for how Edmond transformed from a naive boy to the charismatic man you search for as The Count of Monte Cristo. He doesn’t even go to the island of Monte Cristo in the anime, his cave of wonders being moved to underneath his house in France. Although this does work and goes with the changes made to Edmond’s character (demon of revenge; not the servant of God he believes himself to be in the new), Gankutsuou would’ve had more depth if Faria had at least been shown.
Overall, Gankutsuou has an fabulous cast of characters. I do recommend you read the new if you wish to understand them fully, though - a 24 episode anime can only fit in so powerful.
Art / Animation: 9.7/10
The first thing that hits you about Gankutsuou is the rather bizarre CG attain clothing and hair has. The enact is hard to save into words; it’s as if the characters clothing and hair are reflective. It takes a few episodes to catch customary to it. If nothing else, you have to praise the studio leisurely Gankutsuou (Gonzo) for the tall amount of inconvenience they establish in.
The second thing to hit you is the shimmering range of colours passe. If, like me, you went into Gankutsuou expecting to peer gloomy and unimaginative colours, the sort fitting for a chronicle site in the 1800’s, you’d be completely obnoxious since the colours are anything but tedious, vibrant being a mighty better description.
As expected of a Gonzo production, Gankutsuou also has a radiant amount of CG outside of the clothing/hair attain, including some yarn mecha fights. The CG is attractive at times, almost jaw dropping for a TV series.
Overall, Gankutsuou is a joy to stare…once you pick up archaic to the fresh animation attain. Production values were clearly not coarse here.
Sound: 9.5/10
First of all, let me say that I didn’t believe very considerable of the opening (OP) song. The OP, while fitting, was so insensible and listless I had to skip it after watching it once. The ending (ED) song, on the other hand, I did like, the lyrics fitting the exhibit perfectly and the song being rapid paced. I feel the ED song would’ve worked better if it had been obsolete for the OP.
The soundtrack is very high quality, as you’d inquire. There aren’t too many tracks I’d listen to outside of the series (although there is one Wonderful track), but the music fitted the display like a glove and helped retain the epic sage. I also loved how classical music was chosen - it made the experience feel even more special to hear both unedited and edited versions of some of the most renowned classical music in existence playing alongside the animation.
I have to mention track 18, one of the best pieces of music I’ve ever listened to. It was cheek-tinglingly pleasing to listen to when it played during the best episode in the series (strangely enough, episode 18!!!), making the sequence even more thrilling than it was already.
The selection of classical music (some remixed for the anime), obliging newly created music and one the most fitting ED songs of all time get 9.5/10 a lovely collect.
Total: 9.7/10
Having watched a dazzling amount of anime, I’m hard to please. Gankutsuou delighted me, with every situation surpassing my expectations. It’s a rare, rare feeling to destroy anything and feel arrive enough completely contented, and I can’t spy me enjoying another anime as mighty for a long time.
I recommend this series to everyone: those who have read the original and those who haven’t. My only suggestion is to sight the anime before reading the new if possible since we all know how people can be picky when it comes to adaptations.
Never let it be said that current anime is particular about where it draws its inspiration. The understanding of creating a series based on a fresh written in 1844 then setting it in the year 5053 sounds like a far stretch for any production staff and yet somehow, someway Mahiro Maeda (the director of Blue Submarine No. 6) manages to pull it off in Gankutsuou with style. The original of course is none other than Three-Musketeer’s author, Alexandre Dumas’ Count of Monte Cristo (in case you somehow missed this series’ title) .
Here in the United States, this is a re-release by Funimation of an earlier Geneon DVD release of basically the same name. Side note: Geneon typically labeled the point to Gankutsuou: The Count of Monte Cristo while Funimation flips the order to The Count of Monte Cristo: Gankutsuou. Other than that the only contrast is that rather than spreading the 24 episodes across six discs, Funimation manages to do it in four (packaged in a pair of stunning thin packs within a subtle cardboard outer case) . The source material comes to us via the colorful minds of Japanese anime studio Gonzo; who themselves bring a long list of novel, thought-provoking titles to the table (such as their 2007 anime adaptation of Romeo and Juliet) .
This space, as has been the trend of tedious, contains virtually no extras to reveal of although the language options are thorough (English dub and new Japanese with or without English subtitles) .
The epic is setup to appeal to fans of the modern work and those with no prior exposure alike as it retains all of the key space points but adds a few unique elements and tells it from a totally different perspective (kind of like what John Gardener’s new Grendel does to the classic Anglo-Saxon poem Beowulf) .
The Count of Monte Cristo: Gankutsuou tells the memoir account of a wrongfully accused man’s intricate site of exacting revenge through the relatable doings of a fifteen-year-old aristocrat from Paris named Albert (pronounced “al-bear” in homage to the French author’s unusual motif) . As stated above, the note goes to spacious lengths to put an atmosphere stunningly reminiscent of 19th century France while integrating unbiased enough technology to remind the viewer that this is, in fact, the future- and the very distant future at that.
Pacing is deliberately boring and thorough and really compliments that rather dry-nature of the source material. However, while this may be viewed as a negative with some shows, Gankutsuou turns the epic telling element into an art beget in and of itself. This is adult anime and not because of the usual pitfalls that eliminate younger viewers from the equation. Rather than sexual references, violence and language, Gankutsuou can be called traditional on story of its sophistication and mood-appropriate visuals.
In fact it is nearly impossible to rep a review of the reveal that doesn’t scoot all over itself in praise for the artistic vision and fresh animation style. The best scheme to picture it is imagine reach photo-realistic textures layered tedious transparent character models. If that sounds unfamiliar to you, rest assured, it is but somehow it works. What makes the visuals so original is that the textures are static, meaning they don’t fade even when the character boasting them does. It’s one of those traits so unusual that you may go as far as to note it distracting early on yet it manages to become subdued as the viewer loses himself in the ever-thickening place. Even by the later episodes there are a few repulsive examples of where texture-overloaded scenes advance off as overly busy or muddled but as a whole, the source material literally benefits from this new art style.
If there were a single complaint worth mentioning about the demonstrate it would have to be the simple reality that this isn’t urge of the mill anime by any sense of the word. It’s fine difficult to region the display into a genre in fact. The yarn is, quite frankly, unlike any other seen in fresh anime, which I impart is to be expected when you remember that this is classic literature in consuming construct. Viewers expecting scantly clad women, characters with abnormally ample and watery eyes, or slapstick of any kind need not apply. Being that the setting does consume status in the distant future, there are a few robotic fight scenes (duels that wouldn’t stare out of site in Escaflowne) and some dazzling chilly state fade concepts.
As a whole, though, it would be easy for viewers with a short attention span to become bored. There’s a sincere and splendid mosey to the region that requires patience and a bit of maturity (or at the very least, an appreciation for ravishing culture) .
When directly compared to the modern new, some may scoff at the fact that there is a puny supernatural angle that acts as the backdrop here. Without revealing too remarkable of the dependable mystery presented within, let me impartial comment on the character of Edmond Dantes allowing an insalubrious entity (Gankutsuou) possession of his body so as to sprint imprisonment and to realize his ambitions of revenge. A fan of the unique work, it is a bit disappointing personally to heed that Edmond’s creativity in escaping his prison was omitted here. Worse mild is that while the recent can be viewed essentially as a cautionary epic in the dangers of allowing vengeance to overtake one’s life, here the metaphor is perhaps taken a bit too literally. Otherwise, and especially suitable for those not tied to the beauty of the novel work, the supernatural elements do go a long intention in adding intrigue and creepiness to the formula.
The show’s music rep is not only hauntingly appropriate; it’s at times, dare I say, catchy (especially the opening theme which is about as recent as they advance) . Throughout are rich piano scores and solid symphonic pieces.
In all, Gankutsuou: the Count of Monte Cristo is one of the most fresh properties of all time to grace anime ideology. With a timeless account, original art style, and underlining themes that nearly anyone can support from in their possess lives, Gankutsuou reminds us all that unique art is far from dead; if even only the result of rejuvenating the classics as the case may be.
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