I wanted to engage a star away because disc #1 contains some un-restored cartoons, in particular the first. I actually deem the Laserdisc looks better! The grain is the same, but the LD colors are sparkling while the DVD colors are musty. All other cartoons witness better on the DVD.
Buy,Download, Or Stream Tex Avery’s Droopy - The Complete Theatrical Collection! Click Here
It appears that disc # 2 is restored & newly remastered, all of the cartoons spy smart & animated.
The five stars are for the cartoons themselves! These are valid gems of the golden age of cartoons! Tex was an expert at throwing gags at you faster than you would know what hit you. But Tex did tend to tell himself, so viewing this entire dwelling in one sitting may lessen the enjoyment of some later cartoons.
Buy,Download, Or Stream Tex Avery’s Droopy - The Complete Theatrical Collection! Click Here
It should also be mentioned that while Tex Avery’s name is on the title of this DVD situation, he only directed 17 out of the 24 Droopy cartoons. Which also means that 7 cartoons from this position would not appear on any possible future Tex Avery DVD collection.
There is a mistake on the DVD sleeve title listing, the credit reads “Cartoons 1-18 are directed by Tex Avery”, but not all of them are! I know the last one on disc #1 is not a Tex Avery ‘toon.
The extras on Disc #2 leave alot to be desired, the documentary is burly of clips from the cartoons you objective saw, with interviewers telling you why you laughed. But there is no loyal unique information here. This is followed by a greatest gags clip exhibit, which is pointless if you objective watched the cartoons or the documentary. It seems all of the gracious Text Avery bonus material has already been customary in the LOONEY TUNES DVD sets.
Don’t you objective care for Tex Avery? His zany work shines in this collection, which features his best-known character. I’m a spacious fan of Disney cartoons (impress my byline below), but most of these Droopy shorts (sorry, couldn’t resist) are unbiased terrific. They’re fast-paced, the characters are often well aware they are in a cartoon (they terminate often to address the audience) and nearly every gag takes you by surprise. Avery created Bug Bunny and Daffy Duck at Warner Brothers, but really hit his coast when he left in a censorship fight for MGM, where he spent more than a decade creating these classics.
There’s something here for everyone. The first few shorts introduce the deadpan doggie, but actually give more conceal time to Avery’s libidinous Wolf and slinky, um, woman. OK, dame. (This, by God, is a dame.) Not for kids at all, “The Shooting of Dan McGoo” and “Wild and Woolfy” are as lusty as anything you’ll ever scrutinize that’s sold on Amazon. Avery designed the two shorts with American G.I.s in mind, and they were shown at U.S. military camps during World War II. The other Avery girlie cartoons, “Red Hot Riding Hood” and “Swing Shift Cinderella,” are currently out of print. (Want to scrutinize an early Avery pains? His 1936 “I Like to Singa” is a bonus feature on Pleased Feet (Widescreen Edition) .)
The rest of the cartoons here are more family estimable, with the Wolf often replaced by Spike or Butch, both G-rated bulldogs. The last few shorts on this region were produced without Avery by television outfit Hanna-Barbera. They will be of interest only to children.
Most all the shorts have been digitally restored, and they gaze improbable. The colors are vivid and the focus is appealing. Extras in this collection include the documentary “Droopy and Friends: A Laugh Attend,” which includes commentary by animation historian John Canemaker, as well as a “Doggone Gags” montage of Droopy highlights.
Here’s the list of the cartoons, each with my rating of one to five stars:
DISC ONE
The first four shorts on this DVD are the cream of the reduce, and worth its stamp all by themselves:
***** “DUMB-HOUNDED” (1943) . A loyal classic. From the moment Droopy drags himself onscreen (bringing up the rear of a team of police bloodhounds) you know he’s a different kind of hero. “Hello all you tickled people,” he deadpans to the audience, breaking the fourth wall for the first of, oh, a hundred times. “You know what? ” I’m the hero.” He continually sniffs out the Wolf, an escaped prisoner.
***** “THE SHOOTING OF DAN MCGOO” (1945) . The song “Frankie and Johnny” sets the theme for this adventure area in (say it snappily) Coldernell, Alaska. It’s a gag-filled remake of the Robert Service poem “The Shooting of Dan McGrew” (”A bunch of the boys were whooping it up in the Malamute saloon; the kid that handles the music-box was hitting a jag-time tune…”), with a dance-hall dame so hot even Droopy howls at the moon.
***** “WILD AND WOOLFY” (1945) . Droopy gets the girl — and lets loose with another wild howl — after he saves her from the Wolf’s kidnapping attempt. Along the plan there’s a fork in the road (yes, a sincere fork) and a horse that takes off its shoes to base a stream.
***** “NORTHWEST HOUNDED POLICE” (1946) . When the Wolf escapes San Francisco’s Alka-Fizz Prison — by simply drawing an sprint door — Droopy tracks him down wherever he goes. Amazingly amusing.
Other shorts on Disc One:
*** “SENOR DROOPY” (1949) . Bullfighters the Wolf and Droopy (”Senor Droopy from Guada-loopy”) compete for a blooming (and live action!) senorita. About as righteous as the best Bugs Bunny.
** “WAGS TO RICHES” (1949) . Spike the bulldog tries to knock off Droopy when a millionaire leaves our hero a fortune… that goes to Spike if he dies.
* “OUT-FOXED” (1949) . Droopy goes fox hunting. Skippable.
** “THE CHUMP CHAMP” (1950) . Droopy and Spike compete in sports events. OK, but Disney’s “How To” shorts with Goofy are funnier.
** “DAREDEVIL DROOPY” (1951) . Droopy and Spike compete to become a circus acrobat. Observe above.
*** “DROOPY’S Superb DEED” (1951) . Droopy and Spike wage war in a Boy Scout competition. The best moment: when Droopy goes into a burning cabin, the damsel in injure looks a lot like Disney’s Cinderella (whose film was, gee, released the same year) . A moment later comes the black-face moment with Spike that other reviewers have mentioned. A Rochester gag comes later. The racial scenes bewitch away from an otherwise capable cartoon. The slapstick gags are similar to, but funnier than, those in the best Road Runner shorts.
** “DROOPY’S DOUBLE Difficulty” (1951) . Now a butler, Droopy teams up with his twin brother Drippy to stress-out Spike.
*** “CABELLERO DROOPY” (1952) . Violinist Droopy and a guitar-strumming wolf (the “Kristo Kid”) woo a senorita. More Road-Runner-style gags.
DISC TWO
** “THE THREE Exiguous PUPS” (1953) . A parody of Disney’s “The Three Puny Pigs.” Snoopy, Loopy, and Droopy are the three runt dogs. Has another black-face moment. Includes a couple moments where the characters glimpse a (dependable) live-action western on TV.
**** “DRAG-A-LONG DROOPY” (1954) . The definitive Droopy cartoon. When his sheep demolish the pasture of some cattle country (the “Have Butte Ranch”), shepherd Droopy gets into argument, a shooting-skills contest and eventually a head-to-head stampede with the rancher Wolf. Has talking cows, naked cows and the strangest Droopy dame: the Venus de Milo, who, when the Wolf takes over her body (don’t ask), runs away on very blooming high-heeled gams. (Yes, gams. I’m really getting the lingo down, don’t ya believe? )
***** “HOMESTEADER DROOPY” (1954) . The spot? The Wolf (here, “Dishonest Dan, the Cattle Man”) hassles homesteader Droopy. The reasons to savor it? Well, it’s got tremendous gags, mammoth writing, a baby Droopy (he’s the hero this time) and one of the funniest talking-cow moments in film history. When a bull comes into the Wolf’s office and says simply “Moo Moo Moo Moo! Moo! Moo!” the Wolf responds “What? A dirty homesteader impartial fenced in our water hole in Red Rock Canyon? ”
*** “DIXIELAND DROOPY” (1954) . Droopy plays John Pettybone, a dog who has one single ambition: to lead a Dixieland Jazz Band in the Hollywood Bowl. A loud Dixieland earn, with unexpected sudden moments of expressionless silence, sets this one apart.
*** “DEPUTY DROOPY” (1955) . The characters win more angular (i.e., more ’50s-style) and the colors pick up brighter as lawman Droopy stops some varmints from making off with some gold. No Wolf, no Spike, but not unpleasant.
** “MILLIONAIRE DROOPY” (1956, Cinemascope) . A throwback, this is simply a widescreen version of “Wags to Riches.”
Now things change. Tex Avery leaves MGM and animator Michael Lah creates six Droopy shorts on his hold. Kids will like them, but these remaining cartoons lack the Avery touch. Produced by Hanna-Barbera, they lose their like a flash traipse and unpredictable nature, and seem powerful more like 1960s TV fare. But the color, at least, is fantastic:
** “GRIN AND Fragment IT” (1957, Cinemascope) . When Droopy and Butch (consider Spike crossed with Yogi Own) strike gold, Butch wants it all to himself.
** “BLACKBOARD JUMBLE” (1957, Cinemascope) . Three school boys (all of which inspect like Droopy, but don’t have his personality) try the patience of their substitute teacher, a slow-moving Wolf (who now has the affirm of Huckleberry Hound) . Amusing at times, but has none of the deadpan Droopy wit.
* “ONE DROOPY KNIGHT” (1957, Cinemascope) . Sirs Butchalot and Droopalot vie to end a dragon. Nominated, somehow, for 1957’s Best Short Subject Cartoon Academy Award.
*** “SHEEP WRECKED” (1958, Cinemascope) . Droopy guards his sheep from the Wolf. The best of the Hanna-Barbera shorts. Very bright, with lots of orange backgrounds.
** “MUTTS ABOUT RACING” (1958, Cinemascope) . Droopy and Butch compete in a car run.
* “DROOPY LEPRECHAUN” (1958, Cinemascope) Butch mistakes Droopy for a leprechaun. An airline stewardess looks objective like Jane Jetson.
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